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66 result(s) for "Martiny, Erik"
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A companion to poetic genre
\"A Companion to Poetic Genre brings together over 40 contributions from leading academics to provide critical overviews of poetic genres and their modern adaptations. Covers a large range of poetic cultural traditions from Britain, Ireland, North America, Japan and the Caribbea Summarises many genres from their earliest origins to their most recent renderings The only full-length critical collection to deal with modern adaptations of poetic genres Contributors include Bernard O'Donoghue, Stephen Burt, Jahan Ramazani, and many other notable scholars of poetry and poetics\"-- Provided by publisher.
Aurora's avatars: a generic approach to modern dawn poetry
This essay takes a look at dawn poetry to examine its ancestral lineage and the degree to which it connects with medieval formulations, and Renaissance reconfigurations, of the genre. It lays emphasis on the eminence of Philip Larkin's \"Aubade\" in the recent history of dawn poetry, without lending it undue significance as it is ultimately not without precedence and cannot be said to have permanently inflected its course. [PUBLICATION ABSTRACT]
A Companion to Poetic Genre
A Companion to Poetic Genre brings together over 40 contributions from leading academics to provide critical overviews of poetic genres and their modern adaptations. Covers a large range of poetic cultural traditions from Britain, Ireland, North America, Japan and the CaribbeaSummarises many genres from their earliest origins to their most recent renderingsThe only full-length critical collection to deal with modern adaptations of poetic genresContributors include Bernard O’Donoghue, Stephen Burt, JahanRamazani, and many other notable scholars of poetry and poetics
\All that romantic taxidermy\: Derek Walcott's Caribbean bestiary
This article examines the genre of the bestiary poem in the context of Derek Walcott's work, using the theories of the French philosopher Michel Pecheux to explore the ways in which the related concepts of identification, counter-identification and dis-identification interact in Walcott's poetry to complex and sometimes ambiguous effect.